What kinds of rights disputes come up in film, TV, and content deals?
Rights acquisition and licensing disputes are among the most common entertainment matters, and they span film, television, music, literary, and digital content.
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Maryland Court Roster Mediator | Family, Entertainment & Intellectual Property Mediator | Rockville, Maryland
Steven Corn is a Maryland court roster mediator, business affairs executive, and dispute resolution professional with more than 35 years of negotiation experience helping individuals, families, creators, and businesses resolve complex conflicts. As the founder of Metis Mediation Services, Steven combines transformative mediation principles with decades of executive-level negotiation experience to help parties reach practical, lasting agreements while preserving important relationships. Before becoming a professional mediator, Steven spent more than 30 years in the music industry, negotiating thousands of business transactions involving artists, record labels, publishers, distributors, licensing, royalties, intellectual property, and entertainment contracts.
Steven Corn is a Maryland court roster mediator, business affairs executive, and dispute resolution professional with more than 35 years of negotiation experience helping individuals, families, creators, and businesses resolve complex conflicts. As the founder of Metis Mediation Services, Steven combines transformative mediation principles with decades of executive-level negotiation experience to help parties reach practical, lasting agreements while preserving important relationships. Before becoming a professional mediator, Steven spent more than 30 years in the music industry, negotiating thousands of business transactions involving artists, record labels, publishers, distributors, licensing, royalties, intellectual property, and entertainment contracts. His career includes leadership roles in music distribution, publishing, business affairs, and catalog management, including serving as CEO of an award-winning jazz label whose artists collectively earned five Grammy® Awards and seventeen Grammy® nominations. This uncommon combination of mediation training and real-world commercial negotiation experience allows Steven to effectively resolve disputes involving family relationships, business conflicts, entertainment matters, contract disputes, intellectual property, healthcare, landlord-tenant issues, and community disagreements.
As a Maryland court roster mediator with deep roots in commercial negotiation and dispute resolution, I review content to ensure it accurately reflects mediation principles, process, and the practical considerations that help parties reach durable agreements.
Rights acquisition and licensing disputes are among the most common entertainment matters, and they span film, television, music, literary, and digital content.
Yes. Under U.S. copyright law, authors (or their heirs) have the ability to terminate certain prior grants of rights after a statutory period, which can bring a creator and a company that has long exploited a work back...
Disputes over songwriting splits — the percentage each contributor owns of a co-written work — are common, especially when the split was never documented in writing at the time of creation.
Recording and publishing agreements typically give the artist or writer the right to audit the company’s books, and audits routinely surface discrepancies — unreported income, recoupment status, disputed deductions,...
A synchronization license is the permission needed to pair a piece of music with visual media — a film scene, a television show, an advertisement, or a video game. Because sync licenses are individually negotiated...
The Music Modernization Act significantly changed how mechanical royalties are licensed and paid for digital uses. It replaced the older song-by-song compulsory licensing process with a blanket licensing system for...
The most common music royalty disputes involve artist and producer royalties, not the statutory streams like mechanicals or performance royalties.
Entertainment disputes frequently involve sensitive commercial terms, unreleased projects, and reputations, so the parties often have strong reasons to keep the matter private.
Chain of title — the documented history of who owns and has licensed a work — is foundational to any film, music, or literary project, and a gap in that chain can halt a production or distribution deal.
Many valuable underlying rights were granted in contracts written before streaming, download, or on-demand distribution existed, so the parties may be left arguing whether older grant language reaches new platforms. A...
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